I finally have some decent photos of a few of the new pieces. As I think I mentioned in an earlier post, some of the new work will go in my Etsy shop and some on my website, robertspizzuto.com. How do I choose what will go where? Well, I guess the more miscellaneous pieces will go in the shop and the work I want to focus on building as a coherent series will go on my website. I'll be sure, as I post the pieces here, to let you know where to find them. Just an FYI, my website allows purchase of any of the work directly. It will go through Paypal, just as it does in an Etsy shop.
The first two pieces are more like meditation drawings, inspired by the landscape and the rocks. The first one is posted in the shop and the second one will be posted tomorrow. They are made on a most luscious handmade paper that Johntimothy bought for me from an artist, Sandra Anible, who was at the Frogman's Print and Paper Workshops this summer. He bought three sheets of the paper which I brought with me to Brush Creek, still safely rolled up. Once I unrolled it, I knew immediately that I was in love....the color, surface and the crisp thinness was just perfect. Of course I went through all of it in no time, even tearing each sheet into quarters to make it last longer. I have since been in touch with her to order more and have found out the paper is made of corn husks!
Rock Meditation Drawing no.2
The next two pieces are from a much larger body of work that is still evolving, and they'll find their way to my website as they are finished. I have a number of these pieces finished and quite a few more underway. Still, the focus is on the rocks, but not in any specific way...these are not actual rocks, but point to the idea of rocks and time, aeons of history and the search for understanding. They seem to float singularly or in groups upon the page. Something new in the work, besides the subject matter, is the way I began working while at Brush Creek. I'd never used a stencil brush before and I had a couple that I brought with me to play with, so much of these new pieces are made using stencils and a kind of pouncing technique both in the background and in the rocks themselves. Before I used to scumble layers of color on top of each other and here I am building the color with layers put on with a stencil brush. Always interesting to discover a new way of working!
I think rather than having individual titles, they'll just be numbered in the series, which has yet to be given its full name. This red piece has a layer of pseudo-writing on top of the red, behind the rocks, that alludes to a written text, as if this is a letter or a message from the deep past, knowledge long buried. I started by folding both these sheets of paper in half, thinking they might end up as book pages...it didn't happen that way, but I kind of like the fact that they still suggest "bookness" in subtle ways.
I must say, it is very difficult to photograph these pieces or even get them edited accurately...the color is not this vivid in the actual work...it's still rich, but more muted than shown here. That's why the professionals get paid the big bucks!! I just make the work...I can't seem to get the hang of it's presentation to the world!
Hope everyone is going to have a great weekend! Any special plans? Nothing too exciting here....the semester starts next week, so my husband is getting ready for the start of another academic year...it'll be our 7th in South Dakota....Florida was a long time ago, it seems.
Stayed tuned for a report on what I'm reading these days!
Cheers!
